Excerpt from the article: "Lasting
Impressions"
...There is something about Mediterranean
light that drew impressionist last century and today as well.
Mediterranean scenes turn up regularly in the works of Pejman
and others. Many artists claim it's the quality of the light-
a dryer, crisper light, similar to that of California. "I
gravitate to scenery that uses light and shadow, and the Mediterranean
is a perfect setting because there is so much light there," Pejman
says. "The scenery is beautiful. But more importantly,
the color is exquisite. The sky is very blue, and as a result
you get a lot of blue and purple tones. Plus there is usually
that element of seascape, not to mention the way the light
hits all those white stucco houses."
Originally Pejman painted in a
rather realistic, classical style learned from one of his teachers,
Anatoly Ivanov. "He paints in a very detailed way, almost
to the point of surrealism. Then I started working with Ovanes
Berberian, who is a well known colorist with a very loose style." That
has been a strong influence, since Pejman strives to achieve
harmony of color..."I get down the basic elements form
photos, but I compose the painting in my imagination," Pejman
explains. "Is it Portofino or Capri? people always look
at my work and say they've been there, and I guess that's possible
because the basic elements are real. "However, I've looked
through hundreds of books on the Mediterranean, and I've never
found s single photograph that could be translated, untouched,
into a great painting. You always have to use artistic license
to add and remove things." ..."A lot of artists insist
on painting what their hearts tell them. But artists are successful
because people like their work well enough to buy it. If you
go back in history, most great art was commissioned by the
aristocracy or the church. Great works can be painted to please
yourself and the public. Monet was not a commercial artist
but everyone loves his work." |